1 Apr 2011

Innovations in art: Mixed media paintings growing popular



These days, many artists are moving away from traditional media such as oil and acrylic on canvas or watercolours, and are experimenting and innovating with various materials. Mixed media paintings or installations have become the in-thing and are increasingly growing in popularity. These are exciting to view and often feature creative uses of different materials to present the concept.

However, for the buyer, it is important to verify or at least be aware of the materials, which have been used as part of the artwork. This will give an idea as to whether these will maintain status quo, or if there is a probability that one or more of the materials could decompose, decay or rust, change colour or texture due to oxidation or reduction based on environmental conditions.

While some of these changes may be desirable (adding interesting dimensions to texture or patina), those that affect the monetary worth of the artwork could be unwelcome. In fact, there might be instances where one may not be able to foresee some of the changes that may happen in the future. Over the years, a lot of research has taken place to improve the quality of paints, pigments and canvases to ensure that they are longer lasting.

But when artists use 'different' and new materials, which are not as common in artworks, there has to be a conscious effort made towards ensuring the longevity of the product. This could be done either by treating these materials appropriately or by substituting them with similar but hardier materials. Therefore, while it might be exciting to view artworks made out of interesting materials, as a buyer, one needs to be aware of their condition and expected lifespan.

Fortunately, just as many painters have adopted the use of finest quality materials in their paintings, most new media artists too put in a lot of effort in using the best quality materials. Still, as a buyer, there is no harm in being aware and then taking an informed decision.

(Published in Financial Times)

30 Mar 2011

Art Buzz (Bangalore) Somersault in Muddy Waters - A Creative Journey - a talk by Atul Dodiya


Practices in Contemporary Art & Architecture

CoLab-Goethe Lecture Series


Picnic with Picabia, 2010

Oil,auto body solder, museum magnets & gold leaf on oxidised mild steel with two mild steel stands

Somersault in Muddy Waters - A Creative Journey

A talk

by

Atul Dodiya

on

Tuesday, 5 April, 6:30 pm

at

Goethe- Institut/Max Mueller Bhavan


716, CMH Road, Indiranagar 1st Stage, Bangalore - 560038

About the lecture :

Artist Atul Dodiya’s talk will be about the diverse influences, references and quotations in his work; why he chooses a specific genre; shifts and change in the media that he uses, and the ways in which he addresses the political, social and personal traumas within his painterly practice.

About the speaker : Atul Dodiya

Atul Dodiya (b. 1959 ) studied at the Sir J J School of Art, Mumbai and the Ecole des Beaux-Arts, Paris.

Dodiya’s allegorical paintings on canvas, paper and metal shutters draw on diverse traditions in painting and text. He works with unusual materials and techniques and brings to the viewer a palimpsest of images and a collage of experiences. Dodiya’s art is marked by kaleidoscopic quotation and his pictorial narratives are taken from iconic images from global visual culture- cinema stills, cartoon strips, popular oleographs, the homegrown version of MAD comics-all intertwined with autobiography. His intricate and multi-layered pictures work like a jigsaw of ideas that have been put together with humour and irony.

Atul Dodiya has had 25 solo shows in India and abroad, and this includes a mid-career retrospective at Japan Foundation Asia Centre, Tokyo in 2001 and a solo show in Reina Sofia Museum, Madrid in 2002. Dodiya participated in the 1st Yokohoma Triennale, 51st Venice Biennale, Documenta 12, 7th Gwangju Biennale & the 3rd Moscow Biennale. Dodiya lives and works in Bombay, India

About the lecture series : Practices in Contemporary Art & Architecture

Practices in Contemporary Art & Architecture Lecture Series has been initiated by CoLab Art & Architecture, Goethe-Institut/Max Mueller Bhavan, Bangalore in collaboration with the Venkatappa Art Gallery, Bangalore. Spread over a year with one lecture a month, the visual art series focuses on practitioners who look at both ‘reconstruction’ and the ‘historical turn’ from the perspective of contemporary artistic practice: the revisions and re-readings that take place when images, works or events from the past circulate in a changing set of configurations ; the lectures on architecture will attempt to look at the radical shift in the imagining of the public space and the notion of spatial equity, and the questions thus raised.


28 Mar 2011

Art Buzz (New Delhi) Chromatophobia: The Fear of Money


L.N. Tallur: “Chromatophobia: The Fear of Money”
April 4th to 30th, 2011
Exhibition opens on Sunday, April 3rd from 6 to 8pm.
Nature Morte, A-1 Neeti Bagh New Delhi

Nature Morte is pleased to present an exhibition of new sculptures by L.N. Tallur. The title ironically situates the artist’s practice within the intersections of desire, value, pedigree and psychology. Known for his kinetic sculptures which often comment on society and politics, the work of L.N. Tallur combines a sharp wit along with a prodigious use of materials.

Many of the works in the exhibition use the classical sculpture of India as their starting points. These “found objects” are then combined and manipulated, confounding the established categorizations with which we usually interpret art: figuration and abstraction, traditional and contemporary, decorative and functional, creative and destructive, religious and secular. It is as if each work is both and neither at the same time. Tallur’s works may appear quintessentially “Indian” at first, but they certainly participate in the most advanced dialogues surrounding sculpture today and reveal themselves to be both cosmopolitan and historically astute.

L.N. Tallur was born in 1971 in the south Indian state of Karnataka. He received a BFA degree in painting from the Chamarajendra Academy of Visual Arts in Mysore in 1996, an MFA degree in museology from the MS University in Baroda in 1998, and an MA in Fine Art from the Metropolitan University in Leeds, UK, in 2002. Solo shows of his works have been mounted at Arario Gallery, Beijing (2010); Chemould Prescott Road, Mumbai (2009); Arario Gallery, New York (2008); Arario Gallery, Seoul (2007); Bose Pacia, New York (2000); and Chemould Gallery, Mumbai (1999). In addition to receiving the Sanskriti Award from the Sanskriti Foundation of New Delhi in 2003 and having his works included in many group exhibitions around the world, Tallur’s large-scale installation entitled “Souvenir Maker” was recently exhibited at the Devi Foundation in Gurgaon and the Museum of Contemporary Art in Singapore. The artist currently divides his time between India and South Korea.

26 Mar 2011

Art Buzz (New York)

EXHIBITION LOCATION

Aperture Gallery and Bookstore

547 West 27th Street, 4th Floor

New York, NY 10001

EXHIBITION DATES

March 25th to April 14th, 2011

RECEPTION

Thursday, March 24th, 6–8 pm

EDUCATIONAL PROGRAM AND BOOK SIGNING

with Vicki Goldberg

Saturday, March 26th, 2-4 pm

Aperture Gallery and sepia EYE are pleased to announce Wind, a solo exhibition by internationally acclaimed photographer Jungjin Lee featuring twenty-five stunning panoramic landscapes. A limited-edition artist book, as well as the artist’s first trade book, co-published by Aperture and sepia, accompany the exhibition. Beautiful in their composition and physical execution, Lee’s images present metaphors for an interior state of being and the forces that shape it. Lee’s landscapes are imbued with an elemental vastness, at once powerful and serene.

A lecture and discussion with author Vicki Goldberg and Jungjin Lee will take place on Saturday, March 26, 2–4pm, followed by a book signing. The Wind exhibition will coincide with the annual Asian Contemporary Art Week (ACAW) festivities held in New York. Museums, galleries, curators, and artists will be involved through the ten-day run of the festival.