Art Scene India: miniature art

19 Jan 2024

(Un)Contained a solo exhibition of paintings by Smita Verma

Curatorial Note

‘(Un)Contained’ is an extension of artist Smita Verma’s previous body of work, a nostalgic memoir of her childhood and home in Rajasthan, viewed through a lens of longing and wistfulness. The built environment and the sky, symbolic of hope and infinite possibilities amidst the urban landscape, continues to form the core of her visual schema. Smita navigates the numerous characteristics, complexities and dichotomies of a city as an organic, living entity that expands its physical boundaries over time, and is perceived as a land of dreams and opportunities. Despite being mired in conflicts and anxieties, the city appears as a mirage, a utopian dream, for many.

Painting by Smita Verma, Art Scene India

Long Haul by Smita Verma

Smita attempts to reconcile memories of her childhood with the currency of her life in Bangalore, situating it against a city, with a rapidly evolving landscape. She finds solace in watching the infinite stretch of the sky, an expanse of azure blue shared with loved ones back in Rajasthan, her childhood home - a connect that keeps her centred. Thus, the sky in its varying colours, from a pale cerulean on a clear summer day, a fiery crimson and a golden hue with the setting sun, to an inky black bathed in moonshine, forms the backdrop for each of her work.

The meticulously arranged buildings on her canvas belie the chaos that typifies urban planning and life. The comingling of varied styles of painting on a single surface creates a distinct visual vocabulary, a fusion of tradition with contemporaneity. Having learnt Kangra painting from a noted traditional artist, Smita incorporates elements from miniature style of painting in the detailing of the foliage, the clouds, the skyline, and in the blocks of buildings. She also opts for a two-dimensional perspective, at times, which references Indian miniature painting style. In most of the paintings, naturalistic rendering is interspersed with miniature elements and motifs to represent the inherent complexities and the dichotomy of a city’s charm and appeal.

Panorama by Smita Verma

The sharply delineated buildings, stylised at times, but disrupting the horizon in a marked manner, intensify the contrast between the blended hues of the sky and the foliage, acting as a metaphor for the conflicts, challenges and the joy and fulfilment contained within the confines of a city. Several such paradoxes are amplified in the juxtaposition of pictorial elements. Glittering windows in the tall skyscrapers, vestiges of floral blooms and trees around the concrete structures, and the sky in its glorious splendour, recreate an illusion of calm and bliss.

The absence of human figures alludes to the sense of isolation that pervades despite the bustling nature of the city. The silence and stillness is palpable, a moment in time as if suspended unnaturally between the past and future. Winding roads, flyovers, playgrounds and fields, and walkways are lined with foliage and an abundance of concrete structures. Relics of histories appear in the form of old buildings and monuments that are resplendent yet dilapidated; fallen flowers cover a derelict car as an ode to the numerous blossoms that once lined Bangalore roads, lush green foliage adorn the top of the buildings offers a satirical view of the concrete jungle that has now replaced the natural cover. Notions of conflict between man and nature, and the irony of progress amidst ecological deterioration through urban landscapes present the decay in its sartorial beauty.

Nalini S Malaviya
Curator

(Un)Contained is on view at Lalit Kala Akademi, gallery no. 3, New Delhi, till 23rd Jan, 2024

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12 Dec 2014

Art in Interiors: Miniature Paintings in Home Décor

Traditional miniature paintings are exquisite and should be displayed in an uncluttered environment.

Miniature paintings, as the name suggests are small format artworks with innate historical and traditional linkages. In India, the miniature style of painting is believed to date back to the 16th century, although earlier accounts do exist. Miniatures are traditionally colourful, intricately executed and are typically done on various surfaces such as paper, wood, silk etc. Early works feature portraits, ceremonies, court and hunting scenes, stories from epics and mythology – different schools have their own peculiarities and styles. Some of the notable traditions of miniature painting in India are the Mughal, Rajasthani, Pahari and Deccani courts.

Traditional miniature painting 'Krishna and Radha' by Nihâl Chand, used under creative commons license, Art in Interiors, Art Scene India

This form of art is delightful and immensely collectable. Paintings which are old have a great vintage and antique value. Often rare and infrequently sold during auctions or private sales, the minute artworks are heavily prized for their delicately detailed work and their historicity.

Miniature paintings are exquisitely intricate and have such fine brushstroke that they need to be displayed on uncluttered walls with minimal mounts and frames so as not to distract from the wonderful stories that are being articulated in the images. From a home décor perspective, miniature art with its historical themes are ideally suitable for traditional and ethnic décors. The effect can be enhanced by displaying them in a cluster and highlighting them with suitable lighting. Grouping them according to theme, period and school which they belong, to build a narrative would work best to heighten the impact.

Mughal miniature painting from the Hamzanama series, used under creative commons license, Art in Interiors, Art Scene India

Their antique look and vintage appearance add much to their value and as long as they are in fairy good condition one need not tamper with them.

In case, one doesn’t have access to original miniature works, there are a few artists who can reproduce and also make their own small format paintings. These too can be grouped and put up as part of a traditional décor and displayed in a similar way. Corresponding antique furniture and other artifacts which complement such a décor scheme will be in harmony with traditional miniature art, as well.

This article was published in The Times of India-The Address recently.

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