Art News: Noted painter Nilima Sheikh becomes first artist to be selected for Kochi-Muziris Biennale 2018

Noted painter Nilima Sheikh becomes first artist to be selected for Kochi-Muziris Biennale 2018  

Kochi, Dec 12: Versatile and provocative painter Nilima Sheikh, whose illustrious body of

works is a scorching portrayal of the turmoil in Kashmir valley and a mystical depiction of women-centric issues, has become the first artist to get the curator’s nod for the fourth edition of Kochi-Muziris Biennale (KMB), which begins exactly a year later -- December 12, 2018.

Anita Dube, the curator of the upcoming KMB that is hosted by the Kochi Biennale Foundation (KBF), announced Sheikh’s name today, formally setting in motion the process of selection of her artists for the high-profile contemporary art event that has redefined the cultural landscape in Kerala and India.     

During her over five-decade career, the 72-year-old Vadodara-based painter has produced an incredibly magnificent oeuvre, wielding her brush to make an intense depiction of subjects, with particular emphasis on Kashmir, Partition and displacement. Her strength also lies in the portrayal of grimness of contemporary life like oppressive patriarchy and the silent suffering of women that crack social fabric and she does it through use of traditional idioms and motifs.  

A historian by training before she focused her attention on the canvas, Sheikh delved into the history of Kashmir, and believes that the valley’s turmoil “is owing to our lack of understanding (of the place and people there) as Indians…The artist’s role is to bear witness - to both the past and present.”

“The tender compassion in the paintings of Nilima Sheikh, in their quiet grandeur, aligns the feminine with the mystic and subversive strains in our tradition. She is a voice we must listen to, especially in these violent troubled times,” said Anita Dube.

Hailing the selection of Sheikh, KBF President Bose Krishnamanchari said, “The Kochi Biennale Foundation is thrilled that we are able to make this announcement on 12/12/17, exactly a year to the day the next edition of the Kochi-Muziris Biennale will start. Curator Anita Dube's intentions and ideas for KMB 2018 are reflected in Nilima Sheikh, the first artist she's presenting of the lineup. I can see in her choice reflections of the socially and politically sensitive aesthetics that Anita would bring to KMB-2018.”

Heavily inspired by the literary works of Rabindranath Tagore, Sheikh became interested at an early age in the connection between stories and images, between murals and ancient manuscripts. Beyond appropriating traditional techniques in her paintings, she works with figure and narration in her practice, which has famously translated into theatre sets such as Umrao as well as children’s books.

Her works are rooted in Eastern painting traditions such as miniature painting and oral traditions of vernacular folk songs. For her paintings, she drew inspiration from artists like Abanindranath Tagore, Nandalal Bose and K G Subramanyan. Through her own life experiences, Sheikh continues to create bodies of work that evoke mystical imaginary landscapes that address feminine experiences.

Her most recent work, titled Terrain: Carrying Across, Leaving Behind, was produced for Documenta 14, a leading global exhibition held in Kassel (Germany) every five years.

The artist also includes song and poetry as a performative mode of public address, echoing the 14^th century female mystic Lal Dĕd of Kashmir (translated by Ranjit Hoskote), along with references to texts from several writers who have written about Kashmir such as Aga Shahid Ali and Salman Rushdie. 

About Kochi Biennale Foundation

The Kochi Biennale Foundation (KBF), founded in 2010 by prominent artists Bose Krishnamachari and Riyas Komu, hosts the Kochi-Muziris Biennale (KMB), which made its debut in 2012. A non-profit charitable trust engaged in promoting art and culture and educational activities in India, it works round the year to strengthen contemporary art infrastructure and to broaden public access to art across the country. These programmes include talks, conferences, performances, educational initiatives, workshops and other forms of wide public engagement.

The KBF is also engaged in the conservation of heritage properties and monuments and the upliftment of traditional forms of art and culture.

A biennial exhibition on the best of contemporary international art, the KMB has shaped up as a seminal event in the realm of art and culture. The 108-day-long third edition of the biennale (12 December 2016-29 March 2017), held at 12 sites, showcased installations of 97 artists from 31 countries and drew over six lakh visitors.

Prominent artist Anita Dube is the curator for the fourth edition of the KMB, beginning December 12, 2018. Her selection by the KBF was in keeping with the Biennale’s long-standing tradition of being an artist-led exhibition. Based out of the National Capital Region, she is renowned for her conceptually rich, politically charged works. An art historian and critic by training and a visual artist in practice, she has been widely exhibited across the Americas, Europe and Asia, including at the first edition of the KMB in 2012.

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• Art News: Anita Dube declared curator of Kochi-Muziris Biennale 2018

 

Art News: Anita Dube declared curator of Kochi-Muziris Biennale 2018

Anita Dube declared curator of Kochi-Muziris Biennale 2018

Kochi, March 29: Anita Dube, one of India’s most provocative and versatile contemporary artists, was announced here today as the curator for the fourth edition of the Kochi-Muziris Biennale (KMB) beginning December 2018. The selection is in keeping with the Biennale’s long-standing tradition of being an artist-led exhibition. 

The reveal – made by Culture Minister Shri A.K. Balan during the KMB 2016 closing ceremony at Durbar Hall Wednesday evening – followed the unanimous decision made by a high-powered panel of renowned artists and prominent personalities to bring Dube’s unique artistic insights and sensibilities to the Biennale – the largest celebration of contemporary art in South Asia. 

“Through three editions, the KMB has gained a reputation for being one of the most important exhibitions of its kind around the world. It is an honour and a very big challenge to be declared curator of this wonderful platform. I am delighted that the jurors thought I can deliver. I accept the responsibility with excitement and humility. It is early days yet and my thoughts will no doubt undergo several changes going forward, but I view this as an opportunity to do something special,” said Dube, who was present at the function.

Dube takes over from Sudarshan Shetty, whose vision for the third edition of India’s only Biennale saw 97 artists from 31 countries showcase their production – across a variety of forms, styles and disciplines – over a 108-day period starting 12/12/16. Spread out across 12 venues, KMB 2016 received more than six lakh visitors.

Based out of the National Capital Region, Dube is renowned for her conceptually rich, politically charged works. An art historian and critic by training and a visual artist in practice, she has been widely exhibited across the Americas, Europe and Asia, including at the first edition of the KMB in 2012. Dube’s practice uses found objects and industrial materials, photography and ‘word architecture’ to critique contemporary socio-political realities.

Her aesthetic idiom, in many ways, reflects her background as a member of the Indian Radical Painters and Sculptors Association – a short-lived but hugely influential collection of artists and art students who rebelled against what they perceived to be the commodification of art in India.

In fact, Dube’s selection comes nearly three decades after she wrote the manifesto of the group’s seminal exhibition ‘Questions and Dialogue’ held in 1987 in the western state of Gujarat – that called for an explicitly radical, socially and politically conscious approach to art making. The group focused on inexpensive materials and found objects to produce works that resisted commercialisation and connected with working-class audiences.

Describing Dube as a ‘thinking artist’, KMB co-founder Bose Krishnamachari said, “Anita’s sensitivity towards materials, incorporating everyday objects derived from informal, craft and industrial sources and spaces, is profound. As is her wordplay and use of mediums, gestures and imageries – all of which will make for varied experiences and resonances in a space as adaptive and accommodating as the Biennale. Her oeuvre features both knowledgeable consideration and skillful melding of the sensibilities and styles of abstractions with real, contemporary concerns. This will doubtless be reflected in her curatorial vision.”

Krishnamachari, who is also President of the Kochi Biennale Foundation (KBF) – the organisers of India’s only Biennale, was part of the ‘Artistic Advisory Committee’ that selected Dube as curator. The other panelists were KBF Secretary Riyas Komu, Velu Vishwanadhan, Sarat Maharaj, Ravi Agarwal, Dayanita Singh, Sadanand Menon, Kavita Singh and V. Sunil.

“Anita’s selection not only reinforces our commitment to having artists at the helm, but also our mission to address contemporary social-political-cultural concerns. Anita is a strong proponent of making art accessible to the public through effective political and social engagement. This is precisely what the Biennale tries to do,” Komu said.

Dube is also a board member at KHOJ, an international artists’ association she co-founded in 1997 in New Delhi. Over two decades, the initiative that began as a modest annual workshop has become one of the most important platforms shining a global spotlight on South Asian art, organising and hosting international ‘itinerant’ workshops, residencies and exhibitions.

Besides KMB 2012, she has been represented in various national and international biennales and festivals such as ‘Biennale Jogja XI’ (Indonesia, 2011), ‘Against Exclusion’ 3rd Moscow Biennale of Contemporary Art (2009), ‘iCon: India Contemporary’, Venice Biennale (Collateral event, 2005), ‘Yokohama Triennale’ (Japan, 2001) and the ‘7^th Havana Biennial’ (Cuba, 2000).

Dube was also a participant in the groundbreaking 2009 exhibition, ‘Indian Highway’, an itinerant collective show curated by Hans Ulrich Obrist, Julia Peyton-Jones and Gunnar B. Kvaran, which represented the growing importance of the sub-continent’s creative panorama – especially the vibrancy of its contemporary art scene – and the economic, social and cultural developments in the region over the past 20 years.