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14 May 2013
Ila Dalmia FICA Research Grant and other opportunities
9 Feb 2012
FICA : Recipient of Emerging Artist Award 2011
Sujith SN and Charmi Gada Shah
The Award is one of the three annual support programmes offered by FICA. Initiated in 2007, it seeks to promote young artists studying or practicing in India who demonstrate extraordinary skill and promise in the visual arts. The EAA 2011 is presented in collaboration with Pro Helvetia – Swiss Arts Council, New Delhi, and Vadehra Art Gallery, New Delhi, with additional support from Ms. Shalini Passi. The recipients of the award receive a ninety-day residency in Switzerland in summer 2012, and an exhibition at the Vadehra Art Gallery, New Delhi in August 2013.
The Jury: The recipients were selected by a jury that consisted of artist Bharti Kher, curator Gayatri Sinha, photographer and curator Sunil Gupta, Chandrika Grover of Pro Helvetia Swiss Arts Council in collaboration with Swiss curator Nadia Schneider Willen, and Radhika Chopra and Vidya Shivadas of FICA.
Sujith SN creates artworks that map out how spatial rhythms and territorial boundaries of modern urban landscapes inevitably lead to violence. His work addresses the relationship between politics and architecture and its effect on modern societies, and specifically how modern architecture has come shape the political, social, and cultural behaviors of its inhabitants. Having grown up in various cities in South India during a period of rapid urbanisation his practice is informed greatly by these spatial transformations. His work is further is inspired by his training as a draughtsman in the construction industry. Sujith received his BFA from College of Fine Arts, Trichur, and MFA from the Sarojini Naidu School of Fine Arts, Performing Arts and Communication in the University of Hyderabad and . His works have been exhibited as a part of various group shows including The Map is not Territory at Lattitude 28, Relative Visa at Bodhi, Indian Subway at Grosvner Vadehra, London, and several others at Sakshi Gallery and Gallery OED. He had his first solo show The City and the Tower at Sakshi Gallery in 2008. He was part of Khoj Kolkata artists residency in 2009, and has received various awards such as the Kerala Lalit Kala Academi State Award and a Merit Scholarship from the University of Hyderabad.
Charmi Gada Shah completed her Bachelors in Fine Arts from the L.S. Raheja School of Art, Mumbai, and her Post-Graduate degree from Chelsea College of Art, London. In 2009 she received the Art India ‘Promising Artist Award’. She has exhibited in group shows including The Staircase Project, at Kashi Art Residency, Cochin (2008), Relative Visa (2009) and Her Work is Never Done (2010) curated by Bose Krishnamachari, Mumbai, and Generation in Transition: New art from India, curated by Magda Kardasz at the Zacheta National Gallery of Art, Warsaw(2011). She has been shown at Art Gwangju, Korea, by Gallery BMB (2010), and Prague Biennale 5 - India Pavilion curated by Kanchi Mehta (2011). She lives and works in Mumbai. Shah's practice engages with the passage of time and the subsequent shifts that have occurred in the meaning and function of architecture. She often works with built spaces that are invariably either abandoned, neglected or in a state of disuse; through the process of revisiting them, and building or innovating on their outlines, Shah draws attention back to these spaces and their disjuncture in time and space. Employing different media, including drawing, sculpture, photography, film and architecture, she formulates a network of correlations that play on notions of memory, destruction and conservation. The works, as installations, become in-situ repositories of documentation, fiction and mimesis.
Image courtesy: (left) Charmi Gada Shah, The Common Wall; (right) Sujith SN, There Is No Brick In The Wall.
6 Sept 2011
FICA Public Art Grant 2011 | Deadline extended
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22 Jul 2011
Kali Kamai - project installation and public viewing
project installation and public viewing
July 21 - 25, 2011
Shillong, Meghalaya
The Kali Kamai project by Wanphrang Diengdoh received the FICA Public Art Grant 2009.
The project has been in progress for a year now and will now take to the streets of Shillong to engage with the public. The Khasi term Kali Kamai translates as taxi or more literally as a ‘car for earning’, and is the popular local mode of transport in Shillong, Meghalaya where the project is located. The project involves the alteration of the local share-taxi making it into a mobile-site to firstly, study the relationships between the individual and the city, and secondly, address the city’s history of conflict and prevalent undercurrents of racial tension. The artist views the Kali Kamai as a one of the few truly public spaces in the city where ‘the fine lines of race are blurred and will use this site to interface with the public through interactive audio-visual installations and one-on-one conversations.
The Kali Kamai has been conceptualised and designed as a contemporary reflection on popular folktales that still exist in the oral tradition in the region. On each side of the vehicle we see painted the various narratives refering to Khasi folktale using contemporary references. The bulk of oral culture is still sustained by the people commuting in these public vehicles, though not direclty retold they emerge through reference and conversations that take place here, a space that Diengdoh has tuned into and has been documenting in the last year. To him this is the space where the links to histories, both personal and the community's, can be found. The documented material will be presented in the Kali Kamai on a touch screen, urging the passengers to explore and exchange stories during their journey across the city.
Wanphrang K. Diengdoh has a BA in Mass Communication from St. Antony’s College, Shillong and MA Mass Communication from MCRC, Jamia Milia Islamia, New Delhi. He is an independent photographer, has directed and edited a few short films and as a musician is part of Stitch, a Delhi-based rock band. His 36-minute short fiction film, “19/87”, made with Dondor Lyngdoh, won the best film, best cinematography and best screenplay in the competition section at the first Guwahati International Short Film Festival (GISFF), 2011.
3 May 2011
Art Buzz (New Delhi) FICA
invites you to a talk by
Lucinda Hawksley
50 British Artists You Should Know
03 May 2011 | 6 - 8 pm
FICA Reading Room | D42 Defence Colony, New Delhi 110024
23 Apr 2011
Art Buzz (New Delhi) FICA - Emerging Artist Award 2011
The Award seeks to promote young artists studying or practicing in India who demonstrate extraordinary skill and promise in the visual arts. Selected by an independent jury of distinguished artists and professionals in the field, the recipient gets the opportunity to travel and work in an international residency and exhibit in a solo show in India.
FICA is pleased to be collaborating with Pro Helvetia-Swiss Art Council, New Delhi, Ms. Shalini Passi, New Delhi and Vadehra Art Gallery, New Delhi, for the Emerging Artist Award 2011.
The award includes:
• A twelve-week residency in Switzerland, round trip air travel from Mumbai or Delhi, a per diem during the time of the residency, and access to the residency’s technical equipments.
• A solo exhibition at the Vadehra Art Gallery, New Delhi.
All requirements and guidelines are mentioned in the Application Form.
Download Application Form from here.
Deadline: 31 May 2011
Completed applications to be sent to:
Foundation for Indian Contemporary Art
D178, Okhla Phase 1, First Floor, New Delhi 110020
13 Apr 2011
Art Buzz (New Delhi) FICA
Three Takes on Contemporary Art
FICA Reading Room, D-42 Defence Colony, New Delhi 110020
A series of three lectures, comprising moments of art historical impact, that look at trends and developments in the West. These lectures consider various art historical movements such as Minimalism, Conceptualism, Pop Art, Performance, Fluxus, Feminism, Land Art, Neo-Expressionism, Young British Artists (YBA), and look at recent trends in Internet art, and art in Asia, such as Chinese and Indian art. The focus of the lectures will be a historical overview which will provide a broad understanding of major movements while looking at such developments through an Indian lens.
Dr. Rakhee Balaram holds two doctorates, in French Literature and Art History, from Cambridge University and the Courtauld Institute of Art in London. A specialist in modern and contemporary art, she has contributed to various publications on twentieth-century art and literature including Vivan Sundaram’s Amrita Sher Gil: A Self Portrait in Letters & Writing (Tulika 2010). She is currently a visiting professor at the School of Arts & Aesthetics, Jawaharlal Nehru University, New Delhi.