Showing posts with label Art Scene India. Show all posts

13 Sept 2024

Art News: MAP, Bengaluru Appoints Harish Vasudevan As Acting Director

Harish Vasudevan as Acting Director of MAP

Museum of Art & Photography (MAP) in Bengaluru, India announced the appointment of Harish Vasudevan as Acting Director on September 9th, 2024.

Reflecting on the continuing development of the museum from its roots as the first digital museum in India, and the successful opening of its building in Bengaluru in February 2023, the appointment is designed to prepare the organisation for further growth.

In over three decades of experience, Harish has held several leadership roles in multiple geographies, with companies like Ogilvy & Mather as well as IBM. He is also a published author and teacher. Over the last six months Harish has been consulting with MAP on Marketing and Operations.

Besides working with all the Heads of departments across Education, Collections,
Conservation, Inclusion, Marketing & Communications, Design and Development, Harish
will be further supported by Dr. Arnika Ahldag, Head of Curation and Exhibitions at MAP.

Commenting on the announcement, Abhishek Poddar, Founder and President of MAP said “As we looked at our plans for the future, we were looking for someone with the skills to develop the organisation, while also strengthening the brand. Harish has just the right combination of expertise and experience to build on the foundation that MAP has laid over the last few years.”

“The first time I entered MAP I fell in love with it. I am honoured to get a chance to lead this fabulous team as we get ready for Phase 2 of MAP’s impressive journey as India’s first new museum to open in a decade.”, says Harish Vasudevan — Acting Director, MAP.

- Excerpt from press release

Please share this article using the social media widgets at the bottom and do subscribe to receive regular updates from Art Scene India.

To contribute articles, please get in touch at artsceneinfo@gmail.com

5 Mar 2024

An Art Exhibition with a Difference

Kala for Vidya 2024

Mukesh Sharma, Kala for Vidya, Art Scene India

'Kala for Vidya’, the much-awaited annual event, by the Rotary club of Bangalore is back this weekend (March 9-10th) to coincide with Women’s Day celebrations. An initiative by the Rotary club of Bangalore, it raises funds for the education of underprivileged children. It is a part of their flagship project - the Rotary Bangalore Vidhyalaya (RBV), which was set up in the year 1960, and currently has a student strength of about 540 children (pre-nursery to 10th grade), and where all of these children come from families that need financial support.

Ankon Mitra, Kala for Vidya, Art Scene India

Gopinath S., Kala for Vidya, Art Scene India

From the year 2005, Rotary club of Bangalore has been organizing an art exhibition cum sale called “Kala for Vidya” to raise funds in order to provide education, uniforms, food and books to the children in this school. It is commendable that the artist community has been supporting this initiative right from the beginning as well as has been an integral part of the social cause, contributing immensely to its continued success.

The curated art collection keeps accessibility in mind and provides a diverse range at various price points to allow both new collectors and seasoned investors to either initiate or consolidate their art collection. Another significant element is that several young and emerging artists who made their debut at these exhibitions in previous years have gone on to make a mark in the art world, and they have continued to support the Kala for Vidya cause.

Manisha Gopinath, Kala for Vidya, Art Scene India

This year’s edition celebrates the theme of “Oneness” – a much needed concept in today's world. The extensive art collection on display thus invokes a greater appreciation for the sheer diversity in artistic expression, where newer trends, voices and vocabularies are expressed. A special feature of this edition of Kala for Vidya is several contemporary expressions in a variety of materials are presented alongside traditional and classical themes and styles of painting. There are several artists from Bangalore and from across the country who are part of K4V for the first time, and have presented their recent drawings, paintings, mixed media and graphic works, and sculptures at the exhibition.

Rtn. Nalini Nanjundayya, President, Rotary Club of Bangalore elaborates, “This year, we embrace the theme "Oneness of Spirit - Oneness of Thought - Oneness of Action towards the Oneness of ALL." Excitingly, we are set to auction and sell artworks at affordable rates, generously provided by established and emerging artists. The proceeds will contribute to the noble cause of providing education to those in need. Each artist has created a special piece of art for this. Something never seen before. Education is a personal passion of mine, driven by its transformative power and its ability to change lives.”

This edition focuses largely on figuration and representation of human and animal figures, elements from nature, and depiction of life from rural and urban situations. Myths, folklore and divinity are some of the themes that have been explored by several artists in overt and in metaphorical ways. However, some of the artists have adopted a minimalistic approach using material to create texture and form.

Well-known artists such as Ankon Mitra, Mukesh Sharma, Sachin Tekade, Shivani Aggarwal, Nandesha Shantiprakash, Raghu Kondur, Gyanesh Mishra among others are participating for the first time.

SG Vasudev, Kala for Vidya, Art Scene India

Sachin Tekade, Kala for Vidya, Art Scene India

Shivani Aggarwal, Kala for Vidya, Art Scene India

Ankon is known for his large-scale sculptural installations but has specially created an exquisite hand folded set of butterflies in metal, while Mukesh presents contemporary paintings with influences from RajasthanI miniature paintings, frescos, and block printing of Sanganer. Sachin transforms the textural qualities of paper in a sculptural form, Gopinath S. presents an ethereal and delicate porcelain sculpture, Manisha Gopinath explores the beauty of birds, trees and marine forms in ceramic and offers a piece that reflects this. Suresh K. is fascinated with how building layers with paper can alter the effects of light and shadows and combines with watercolour to narrate a story.

G. Subramanian, Jasu Rawal, Gurudas Shenoy, Chandranath Acharya, M.G.Doddamani, Shan Re, Basuki Dasgupta, Venugopal V.G., Bhavani GS, Pradeep Kumar DM have been associated with K4V for a long time and have created new works for the exhibition, while senior artists SG Vasudev, CS Krishana Setty, AM Prakash, Ravikumar Kashi and others are also part of the exhibition.

CS Krishna Setty, Kala for Vidya, Art Scene India

Gurudas Shenoy, Kala for Vidya, Art Scene India

Nandabassapa Wade, Kala for Vidya, Art Scene India

Colour, form and textures create an abundance of delightful compositions in this K4V collection, and there is something for everyone. The QR code below when scanned allows you to download the catalog.

In addition, there is special emphasis on engaging audiences through use of technology – QR Codes to know more about the artwork, videos that offer a glimpse into the creative process, art therapy as a tool and other innovative ways to engage the viewer and collector.

Kala for Vidya, catalog QR Code, K4V24, Art Scene India

The 17th edition, curated by Nalini Malaviya, will be held on 9th-10th March at Hotel Conrad, Bangalore.

For Enquiries, WhatsApp +91 6361 630 739

Move the cursor over the image to read the artist's name

19 Jan 2024

(Un)Contained a solo exhibition of paintings by Smita Verma

Curatorial Note

‘(Un)Contained’ is an extension of artist Smita Verma’s previous body of work, a nostalgic memoir of her childhood and home in Rajasthan, viewed through a lens of longing and wistfulness. The built environment and the sky, symbolic of hope and infinite possibilities amidst the urban landscape, continues to form the core of her visual schema. Smita navigates the numerous characteristics, complexities and dichotomies of a city as an organic, living entity that expands its physical boundaries over time, and is perceived as a land of dreams and opportunities. Despite being mired in conflicts and anxieties, the city appears as a mirage, a utopian dream, for many.

Painting by Smita Verma, Art Scene India

Long Haul by Smita Verma

Smita attempts to reconcile memories of her childhood with the currency of her life in Bangalore, situating it against a city, with a rapidly evolving landscape. She finds solace in watching the infinite stretch of the sky, an expanse of azure blue shared with loved ones back in Rajasthan, her childhood home - a connect that keeps her centred. Thus, the sky in its varying colours, from a pale cerulean on a clear summer day, a fiery crimson and a golden hue with the setting sun, to an inky black bathed in moonshine, forms the backdrop for each of her work.

The meticulously arranged buildings on her canvas belie the chaos that typifies urban planning and life. The comingling of varied styles of painting on a single surface creates a distinct visual vocabulary, a fusion of tradition with contemporaneity. Having learnt Kangra painting from a noted traditional artist, Smita incorporates elements from miniature style of painting in the detailing of the foliage, the clouds, the skyline, and in the blocks of buildings. She also opts for a two-dimensional perspective, at times, which references Indian miniature painting style. In most of the paintings, naturalistic rendering is interspersed with miniature elements and motifs to represent the inherent complexities and the dichotomy of a city’s charm and appeal.

Panorama by Smita Verma

The sharply delineated buildings, stylised at times, but disrupting the horizon in a marked manner, intensify the contrast between the blended hues of the sky and the foliage, acting as a metaphor for the conflicts, challenges and the joy and fulfilment contained within the confines of a city. Several such paradoxes are amplified in the juxtaposition of pictorial elements. Glittering windows in the tall skyscrapers, vestiges of floral blooms and trees around the concrete structures, and the sky in its glorious splendour, recreate an illusion of calm and bliss.

The absence of human figures alludes to the sense of isolation that pervades despite the bustling nature of the city. The silence and stillness is palpable, a moment in time as if suspended unnaturally between the past and future. Winding roads, flyovers, playgrounds and fields, and walkways are lined with foliage and an abundance of concrete structures. Relics of histories appear in the form of old buildings and monuments that are resplendent yet dilapidated; fallen flowers cover a derelict car as an ode to the numerous blossoms that once lined Bangalore roads, lush green foliage adorn the top of the buildings offers a satirical view of the concrete jungle that has now replaced the natural cover. Notions of conflict between man and nature, and the irony of progress amidst ecological deterioration through urban landscapes present the decay in its sartorial beauty.

Nalini S Malaviya
Curator

(Un)Contained is on view at Lalit Kala Akademi, gallery no. 3, New Delhi, till 23rd Jan, 2024

11 Dec 2023

Art News: India Art Festival in Bangalore

India Art Festival Returns to Bengaluru with its Third Edition, Showcasing an Unprecedented Array of Artistic Talent

The highly anticipated India Art Festival (IAF) returns to Bengaluru for its third edition, from December 14 to 17 at the expansive Palace Ground, Kings Court. This year's edition promises an unparalleled showcase of artistic brilliance, with an unprecedented number of participants, making it the largest and most diverse gathering of artists and galleries to date.

India Art Festival, Bangalore, Image for Art Scene India

Gurudas Shenoy

Boasting an impressive scale and scope, the 3rd Bengaluru edition of IAF is set to captivate the city with cutting-edge contemporary art, presented by over 25 art galleries and featuring contributions from a staggering 400 artists hailing from 40 different cities across India. The festival is a testament to the thriving art scene in the country, offering a comprehensive exploration of various artistic expressions, including paintings, sculptures, photography, ceramics, and installations.

Opening on December 14, the event will serve as a melting pot of artistic diversity, providing insights into the latest trends in Indian and Asian diaspora art. Founded in 2011 by the publishers of the Indian Contemporary Art Journal, IAF stands as the only annual art fair held in three major metro cities – Mumbai, New Delhi, and Bengaluru – having successfully mounted 25 editions thus far.

With a staggering 3500 pieces of art on display at the Palace Ground, IAF caters to a wide audience, welcoming seasoned art collectors and new buyers alike. The eclectic selection includes oil paintings, acrylics, watercolours, original prints, installations, and drawings in myriad styles, covering landscapes, figurative works, abstracts, cityscapes, seascapes, urban and rural scenarios, portraits, nudes, religious art, traditional paintings, murals, Warli art, and much more.

Prabhu Joshi

Over the last thirteen years, India Art Festival has been a consistent platform for both
emerging talents and established artists, striving to provide an open atmosphere for contemporary art. In its 3rd edition in Bengaluru, the festival strikes a balance between appealing to seasoned art enthusiasts and actively engaging with a younger generation of tech-savvy art buyers, resulting in a diverse and eclectic selection of art.

This year, the festival is proud to feature the imaginative contributions of young talents, injecting refreshing perspectives and radical visual art voices. The Kings Court at the Palace Ground will host 80 booths, showcasing a total of 3500 pieces of art.

Participating art galleries include Akanksha Art Gallery, Charvi Art Gallery, Shiny Colours Art Gallery, H Art Gallery, SM Art Gallery, Sara Arakkal Gallerie (all Bengaluru), ArtDesh Foundation, Artvista, Beyond the Canvas, Bouquet of Art Gallery, Nitya Artists Center, Studio Pankaj Bawdekar, Studio Monica Ghule, Studio Om Thadkar, The Bombay Art Society (Mumbai), ArteHut, Aura Planet, Eminent Art Gallery, Gallery Pioneer, Pastel Tale OPS Art Gallery, Sudha Art Creations & Uchaan (Delhi-NCR), Gnani Arts (Singapore), Arpitam Kala Mandir (Kolkata), M Narayan Studio (Pune), Pichwaiwala - Narendra Arts & Handicrafts (Udaipur), among others.

Thota Vaikuntam

The festival also introduces the Artists’ Pavilion, featuring individual booths by independent artists designed to foster a dialogue between viewers and artists. This multi-level engagement encourages a direct connection between the art market and artists, facilitating open discussions and the purchase of artwork on an open platform. India Art Festival Director, Rajendra, emphasizes the festival's commitment to democratizing 'art viewing and buying,' a movement that has spread across Mumbai, New Delhi, and Bengaluru over the past thirteen years.

This year, the Artists’ Pavilion showcases both unknown talents and established names, with more than 300 independent artists presenting their expressions in the form of paintings and sculptures alongside 100 established artists exhibited by art galleries. The diverse range of subjects explored by these artists encompasses personal experiences to intense narratives.

The 3rd Bengaluru edition of India Art Festival promises not only visual delights but also auditory, visual and cinematic experiences. Eminent artists Ganapati Agnihotri, Kanthraj N, Chintamani G G, Ganesh Doddamani along with musicians Manjunath (Flute), Subramanya Hegde (Sitar), Karthik I S(Mandolin) accompanied by Maruti Prasad (Tabla) will transform the Palace Grounds into a cultural oasis, offering not only a visual feast but also a multitude of fusion shows, live musical performances, mesmerizing live painting demonstrations on 15 to 17 Dec from 3.30 to 5.00pm. A standout feature of the event is the enlightening film "The Eternal Canvas – 12,000 Years Journey through Indian Art," a cinematic exploration of India's rich artistic heritage spanning millennia. This cinematic journey provides a sweeping overview of the evolution of Indian art, from prehistoric times to contemporary expressions. It will be screened from 15 to 17 Dec, from 5.30 t0 7.00pm.

Durga Bai Vyam

The Artists Pavilion, with its fresh face and diverse talent, adds a new layer to the India Art Festival experience in the Garden City. With its mammoth collection of art under one roof, IAF serves as a one-stop mega art jamboree for art enthusiasts, providing a unique opportunity to enjoy art without the need to hop around various art spaces in the city.

India Art Festival will run from December 14 to 17, 2023, at Kings Court, Palace Ground, Gate No.5, Bellary Road, Near Mekhri Circle, Bengaluru, from 11 am to 8:00 pm on all days. The tickets for India Art Festival, priced at Rs.299, are available on BookMyShow.com and at the venue, ensuring a captivating cultural experience for art enthusiasts.

For further details, contact 9820737692

Don't miss the chance to immerse yourself in the vibrant world of contemporary art at this year's India Art Festival in the Garden City!

Excerpted from the press release

15 Mar 2023

Art News: Wilderness Escapades by Krish Iyer

Reconnecting with the past

Bangalore based artist Krish Iyer presents his recent suite of paintings that reimagine sculptures of Khajuraho temples, which decades ago, had set him on a path of creative expression. Iyer revisited the site recently, which is located in a densely forested region, rich in natural flora and fauna. In the temple art and architecture with its iconographic symbolism and its philosophical and spiritual moorings, Iyer has found a way to reconnect with the past, and re-envision it in his art, in a contemporary context.

Abstract painting 1 by Krish Iyer, Art Scene India

Painting by Krish Iyer

The large format paintings in ‘Wilderness Escapades’ reference these sculptures and the underlying premises, to create a spatial interplay of light, colour and texture to suggest the form, postures and gestures of the stone statues in a quasi-representational style. The artist’s interpretations are moored around the historicity of the temples, their geography - located as it is amidst forested land and wilderness, with their beauty and splendor remaining undiscovered for centuries. And, their subsequent desecration by invaders, all of which weave an intriguing narrative of mystery and mystique, of magnificence and ruin, of worldwide fame and remoteness. The art and architecture of the Khajuraho temples combined with their religious, cultural and historical significance form an intrinsic part of their allure. Numerous stories, philosophies and other intangibles lie beneath the surface of the stones, creating sagas of seduction, lure and enigma.

Krish’s canvases explore these histories, the abstracted notions of human potential, philosophies of living, corporeality of the flesh and temporality of life. The visual semantics are anchored in formal aesthetics, with defined line drawings marking the canvas, while the abstract expressionist approach at later stages lends critical layers of texture, and simultaneously recontextualizes historical content.

Painting by Krish Iyer

The tactile surface of the works emerges from heavy textures, layers of dripping paint, and several applications of thick acrylic paint using the impasto technique. The palette knife and other tools transform the canvas, to add depth and dimension, to strip off extraneity and to emphasize salient features of the physical form. Transcendence, man and nature (re)union, the cycle of life and rebirth, and joy of living are some of the key principles that are depicted at Khajuraho temples, and it is these that Krish seeks and attempts to portray in his works. The deliberate obliteration of details in the figures, and the structurally accurate forms that replicate their defiled state, are incandescent with the ironies of transience – both natural and as outcomes of anarchist interventions.

Despite the precision of line drawings that form the basis of the works, Iyer’s methodology is essentially non-mimetic. The gradual yet decidedly gestural transformation of the painting surface as a pictorial array of subconscious thoughts and patterns rescinds identifiable characteristics and accentuates the metaphorical import.

After a successful career in commercial art, Krish has returned to painting with this solo exhibition - to pursue subjects and themes that resonate with him. A chance encounter with the Khajuraho temples almost three decades ago, stayed with him through the years and a strange yearning drew him back to them recently. This series originated from the revisit, marked by an innate desire to reconnect with nature, and to allow subconscious thoughts and emotions to surface and transform on canvas. With this exhibition, Krish attempts to break the invisible shackles that have contained his creativity all these years and to realize his inner potential.

Nalini S Malaviya
Art Critic
March, 2023

- Catalogue text

The exhibition 'Wilderness Escapades' continues from March 20-26 at Karnataka Chitrakala Parishath, Bangalore. For further details contact 9900094466. Visit Wilderness Escapades (krishiyer.in)

Please share this article using the social media widgets at the bottom and do subscribe to receive regular updates from Art Scene India.

To contribute articles, please get in touch at artsceneinfo@gmail.com

Also read,

28 Jan 2023

apexart International Open Call 2023-24

apexart International Open Call 2022 winning exhibition "Can you fuck it?" - The Fembot Phenomenon, curated by Amanda Knox - Tokyo 2022

apexart International Open Call 2023-24

Accepting proposals: February 1 - March 1, 2023

apexart will accept proposals for its International Open Call from February 1 - March 1, 2023. Four winning proposals will become apexart exhibitions presented in their selected locations around the world as part of their 2023-24 exhibition season. Curators, artists, writers, and creative individuals, regardless of location or past experience, are invited to submit a proposal online.

The submission process

Proposals of up to 500 words should describe focused, idea-driven, original group exhibitions, and the country and city in which they are to take place. No biographical information, CVs, links, or images will be accepted, and proposals must be submitted in English. Jurors rate anonymous submissions based on the idea only. See examples of winning proposals here.

The selection process

Rather than convene a panel of a few art world people to review hundreds of ideas, apexart’s crowd-sourced voting system invites hundreds of international jurors to review proposals on their own schedule. The crowd-sourced jury is composed of more than 600 individuals from a wide variety of professional backgrounds and international locations—including students from 17+ participating university classes—who will vote on the proposals. Proposals are anonymous and randomized to make sure each submission receives the same consideration. apexart staff does not influence the results of the jury in any way.

The results

The four winning proposals will each receive an exhibition budget of up to $11,000; have an exhibition brochure printed and mailed to over six thousand international recipients; advertising in major and local outlets; and will be part of apexart’s 2023-2024 exhibition season. Working closely with the apexart team, curators will realize their original ideas into apexart exhibitions. Exhibition curators are challenged, encouraged, and required to work within the funding provided to transform their winning proposals into small, focused, noteworthy exhibitions.

To submit an exhibition proposal, visit https://apexart.org/opencalls.php between February 1 and March 1, 2023.

Please share this article using the social media widgets at the bottom and do subscribe to receive regular updates from Art Scene India.

To contribute articles, please get in touch at artsceneinfo@gmail.com

Also read,

1 Dec 2022

Art News: India Art Festival in Bangalore

India Art Festival attracts over 30 galleries and 400 artists for its second edition in the city

The 2nd Edition of India Art Festival (IAF) in the city starting from December 08 – 11 at the Palace Ground, Kings Court, Gate No. 5, Bellary Road, has grown in scale and size this year, bringing cutting-edge contemporary art to the city, presented by over 30 Art Galleries and 400 artists, coming from 40 different cities across India, Singapore and USA.

Opening on December 08, the 2nd Bengaluru edition of IAF will bring all forms of artistic expressions in the art fair including painting, sculptures, photography, ceramics, installations, offering insights into current art trends in India and Asian diaspora.

Aditiraje Bhonsle

Founded in 2011 by the publishers of Indian Contemporary Art Journal, IAF is the only art fair held annually in three metro cities and which has mounted 22 editions so far at Mumbai, New Delhi and Bengaluru.

Whether, it is a seasoned art collector, or a new art buyer who want to acquire the first piece of art, the India Art Festival with 4000 pieces of art across 100 booths, on display at the Palace Ground is a perfect place to fall in love with art. At IAF, the art collectors are spoilt for choices to choose from many mediums and styles - oil paintings, acrylics, water colour, original prints, installations, drawings in myriad styles dealing with varied subjects including landscapes, figurative, abstracts, cityscapes, seascapes, urban and rural scenarios, portraits, nudes, semi-nudes, religious art, traditional paintings, murals, warli art and many more.

The master artists displayed by the galleries include Sakti Burman, Yusuf Arakkal, Lalu Prasad Shaw, S G Vasudev, Laxman Aelay, Gurudas Shenoy, Laxma Goud, Jatin Das, Jogen Chowdhury, Manu Parekh, N S Harsha, P Gnana, Seema Kohli and many others.

Yusuf Arakkal

The Artists’ Pavilion with individual booths by independent artists is so designed as to create a dialogue between the viewers and the art maker, and the artist. It also encourages dialogue between the art market and the artists directly. Here the sale and purchase of the artwork is on an open platform and the buyer or collector can approach an artist and the choices are numerous.

Vinita Dasgupta

This kind of freedom is rarely possible as both the artist and the buyers benefit from this arrangement. India Art Festival Director Rajendra says, "the process of democratizing ‘art viewing and buying’ initiated twelve years ago in Mumbai sort of became a movement; the growing interest in Indian contemporary art slowly made this movement spread to New Delhi and Bengaluru covering significant length and breaths of our country."

Apart from 200 established artists exhibited by art galleries, more than 200 independent artists are displaying in the ‘Artists’ pavilion’ at the art festival. The subjects broached by the artists vary from personal experiences to intense narratives.

Dhyana Das

'Tripurasundari’, a feminine mystique of the goddess by artist Dhyana Das and Kalyani Ravishankar’s ‘Radha-Krishna’, both blend the nuances of classical paintings and contextualize them within Indian religious sensibilities.

In another instance, artist Karthik Kamath, Sonali Surana and Tejaswi depicts embodiment of renunciation, Buddha, the enlightened one in his splendid aura with wavy hair curls & the monastic robe covering both shoulders and arranged in heavy classical folds.

Sunitha Krishna, Smita BP, Kalyani Sinha and Tripti Pandey indulge in an artistic imagery using religious images, cultural symbols and motifs that touches the spiritual chord of the viewers.

Artists Gaurav Dagar, Jyothi Prakash and Prakash Bal Joshi beguile the viewers with their abstract composition using pure forms & colours, whereas artist Muthukrishnan Ramalingam and Rajitha Bonthala chose the middle path of semi-abstract idiom to present their visual stories.

Wildlife, animal and bird paintings is one of the oldest art forms found since ancient times in the cave art. Animal and bird art have come a long way since then in technique and imagination and occupies major part of the contemporary art space in India. Artist Isha Valentine’s symbolic deer with antlers, Priyanka Sehgal’s Sunbird, big cats and elephant by artist Apurba Das, Shakila Ananth and Sudha Anandampillai displayed in the art festival is a fusion of art elements found in Bundi style of traditional art with contemporary times.

Akshata Shetty

The black and white paintings displayed in the art festival by Akshata Shetty, Beena Surana, Om Thadkar, Preeti Baliga, and Priyanka Maurya prove that the paintings need not have to be always done in striking colours to create visual splendour! Viewers are bound to be mesmerize by the unfolding visual drama of muted blacks, ash greys, dark flashes, starry whites with harsh shadows employed in the work of Om Tadkar in his galloping white stallion, whereas Priyanka Mauraya’s dreamy flowery land and symbolic portraits of all sorts by Akshata Shetty and Preeti Baliga creates powerful viewing; these paintings can go with entire range of minimalist modern décor & interior to create aesthetic ambience around living spaces.

Since ancient times to modern times, from fertility goddess to modern-day multitasker, artists have always enjoyed exploring the subject matter of women folk in art. But when the subject is explored by female artists herself, it assumes different significance like artist Geeta Yerra, Parul Sharma and Swati Burde who are exhibiting in the art festival.

P Gnana

The figurative works by Ravi Verma and Vanita Gupta along with Atul Todi and Jayaram Krishna’s figures emerging through geometric patterns on closer look is an added in attraction for viewers.

The notion of beautiful and sublime with sharp contrasts of light and shadow is exemplified in the landscapes by Poornima Deepak and Reema Ravindran whereas Deepshikha Bishoyi, Mridul Garg, Pooja Muthuraj, Shankari Kundu, T V Sairam and Vidhu Pillai prefers suggestive style of abstract landscape which focuses more on expressing emotion while still capturing the essence of a landscape. Seena Mani’s cityscape, Aditiraje Bhonsle, and Kasturi Dutta’s flowerscape are different genre in landscape painting in the art festival that would leave a lasting impression on the viewers.

Among several others noticeable works by master artists, the artists pavilion present a fresh face of India Art Festival at the Garden city. India Art Festival, with mammoth art collection of all sorts of art under one roof is a one stop mega art jamboree for art enthusiasts in this week to enjoy art without getting tired in hopping around art paces in city!

The participating art galleries include Akanksha Art Gallery, Charvi Art Gallery, Green Footprint

Laxman Aelay

Art Gallery, H Art Gallery, Karnataka Chitrakala Parishath, Sara Arakkal Gallerie (all Bengaluru), ArtDesh Foundation, Artvista, House of Emerge, Nitya Artists Center, Studio Pankaj Bawdekar, Studio Rustgrey, Studio3 Art Gallery, The Bombay Art Society, thecurators.art (Mumbai) , ArteHut, Eminent Art Gallery, Gallery Pioneer, Nifa Art Gallery, Gallery Vision Art (New Delhi), Pastel Tale & Uchaan (Gurgaon), Gnani Arts (Singapore), Kalabhawan (Agartala), M Narayan Studio (Pune), Pichwai by Beyond Square (Udaipur) and Subodh Fine Art Studio (California, USA) among others.

India Art Festival will be on from 08 to 11 Dec 2022 at Kings Court, Palace Ground, Gate No.5, Bellary Road, Near Mekhri Circle, Bengaluru from 11 am- 8.30pm on all days.

For further details contact: 9820737692

Excerpted from the press release

13 Sept 2024

Also read,

5 Mar 2024

Kala for Vidya 2024

Also read,

19 Jan 2024

Also read,

11 Dec 2023

Also read,

15 Mar 2023

Reconnecting with the past

28 Jan 2023

1 Dec 2022

India Art Festival attracts over 30 galleries and 400 artists for its second edition in the city

Also read,

Search Art Scene India (700+ posts)