Showing posts with label Art Consultant. Show all posts

8 Dec 2021

Tattvamasi by Artist Mohan Shingne

Spurts of Enigma: Nikhil Purohit writes on the art practice of Mohan Shingne

An artist with formalist fervor operates both as an agent and a vessel for creation. Contemporary Indian art today is a mix-bag of several ideas from world art merged with indigenous aesthetic blends. It liberates an artist like Mohan Shingne to cross the roads with ideas of modernist abstraction and impulsive sculptural responses to a medley of found objects imparting meanings to resulting objects.

Untitled painting by Mohan Shingne, Art Scene India

A nuanced rendition through self-experienced perspective is the notion one ought to look for the works of Shingne rather than novelty. The artist has a dedicated hybrid practice. Firstly, of making sculptures with a conscious thematic of collaging shapes and found objects. Secondly, of paintings worked out as a process of self-exploration like an ardent devotee revealing the inner workings of a contemplative mind. He holds an intimate attachment to his role as an art educator besides following sculpting and painting as primary modes of expression.

With a humble upbringing in a family of goldsmiths, Mohan’s small and life size sculptures carry the craftsmanship and flair for detailing with a remarkable finesse. Poetry for him becomes a source for insinuating his feelings towards the inanimate world around that catches his attention. Words seem to be a storeroom to accumulate his notes for later visual conversions as idioms. It allows to gain a sense of Zen like feeling to learn how objects- mostly rustic, aged, and redundant become one with his psyche and finally at an immersive moment the object is released into a sculpture or flat surface. With a share of hardships in his early life the phase gifted him with a connect toward wordless conversations with things around. A link that has lent subtlety to his paintings and harmony to his 3D objects.

All this process hints at romance with formalism, yet Shingne finds gaps to escape rigidity in practice and breakthrough from monotony by experimenting with the found objects, clubbing them together. He happens to follow a formula of an uncanny juxtaposition where “Form + Form = Form, Form - Form=Form”. Perhaps the equation is an inert one where the principal element always stays. A philosophical take where the utilitarian thought in the object is discounted to abate a metaphor with mysticism.

Sculpture by Mohan Shingne, Art Scene India

The set of new achromatic works made during the nationwide COVID-19 pandemic lockdown period instills mixed feelings of emptiness, seclusion, loneliness, remorsefulness, silence, hope, and perseverance. The general theme of the series in dark shades with subtle textural notes has rectangular divisions annotated with few rhythmic curves breaking the grid formation. This releases the built-in tension formed after continuously watching the work. These works almost remind the ravishing paintings of veteran artist Jeram Patel, though the method of covering the space takes a different visual course. The underlying organic forms are nothing but triggers to melody.

One sculptural collage arouses satire and amuses us. The cylinder works were made by him before the onset of second wave where one could barely imagine how the situation could turn to be grave medically. Hailing from the goldsmith’s family these cans are part of his families’ occupational supplies. Mohan made use of these empty cans to revise their identity by introducing commonplace objects. The juxtaposition can only be admired by the viewer for the ease of mix-match where the two unrelated objects of a can and those of a buttermilk churner, a bowl, and an oil lamp respectively are bonded together. The experimenter within the artist allows spurts of delight and ecstasy.

Faithfully abiding by the tenets of formalism Mohan’s works continue to entice enigma.

Tattvamasi by Mohan Shingne, a Solo Show of Paintings and Sculpture continues till 10th December 2021 at Shridharani Art Gallery, New Delhi

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19 Oct 2021

'Ghan Phut' by Shraddha Rathi at Kalakriti Art Gallery

Nostalgia in Wood

Pieces of ancient carved wood have been transformed into art installations at the solo exhibition ‘Ghan Phut’ by Bangalore based artist Shraddha Rathi. These strike a nostalgic note at Kalakriti Art Gallery in Hyderabad. Celebrating revitalization and renewal, the art works are as much symbols and remnants of melancholy and heritage as an ode to the centuries old craft of exquisite wood carving.

Shraddha describes the artworks as ‘the contrasting confluence of modern day concrete blocks and a century old piece of carved wood which reveal the impermanence of life today and the strength of yester times’.

Born in 1974, Rathi studied performing arts and architecture. A practicing artist for more than fifteen years now, her initial paintings drew inspiration from her architecture and classical dance background. From hyperrealistic paintings of exquisite carvings and sculptures of ancient India she gravitated towards abstraction and installation art. She experimented with installations in wood and metal that combined paint and text to create a play with the display space as well. A series of functional wood pieces formed interactive art that could engage the viewer at another level. The gratitude bench with text related to gratitude engraved on it was the highlight of this show held a few years ago.

Recently, when Shraddha came across carved reclaimed wooden pieces that were more than a century old, her formal background in architecture and her desire to draw attention to the magnificence of these pieces, which are often discarded as architectural waste, inspired her to transform them into art installations. She worked with carved pieces that were originally parts of structural elements of havelis and wadas, to uncover and reveal the beauty of each cubic foot of wood.

Through an elaborate process of reclamation and renewal, Shraddha has attempted to locate these visual markers of culture and history in a contemporary context. She feels each piece is unique and has a story to narrate from its rich and eloquent past.

As she says, “Ghan phut celebrates the unusual convergence of the past and the present, through stories that come alive with reconstruction and revitalization.”

The exhibition is online here at Kalakriti Art Gallery

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12 Aug 2021

Colours of the Land

The Fragrance of Rain Inspires Artist Ganesh Doddamani

Inspired by petrichor, artist Ganesh Doddamani presents his recent works, a series of paintings which capture the fragrance and essence of places, at MKF Museum, Bangalore.

Painting by Ganesh Doddamani, Art Scene India

He explains, “Over the past few years or so, my work has naturally and gradually drifted towards abstraction and a distinctive method of compressing the rich color and form of my environment into complex landscape paintings that imbue material reality with a deep sense of place. I combine color making techniques with the vernacular, in a bid to arrive at an idiom that is entirely contemporary.”

Fields of colours reflect patterns and textures of the land. In this exhibition Doddamani waxes eloquent about the smell of rain, the first shower which soaks the earth and has a beautiful and distinctive fragrance. The heady smell that engulfs us when the parched land soaks up the first few drops of rain. The mist encases the landscape forming a veil that is poetic and romanticizes the atmosphere.

"I have been living and working in Bangalore from past 11 years, but my impulse to paint grew naturally out of my childhood. In my landscape concept, the very materials the painting is made of, connects it back to the land, since paint is essentially made from earth, from minerals," he elaborates.

Despite the abstract mode of representation, Doddamani ensures a deep sense of connect to his native land and landscape. The colours and textures are evocative and closely connected to a material reality that is very familiar to the artist.

The Karnataka born artist Ganesh Doddamani showed interest in drawing at an early age, focusing mainly on the figurative form and also on the heritage of India. He later attended art classes while experimenting with colours during that period of time.

Doddamani has completed his BFA with honours from the MMK College of Art, Gulbarga and an MFA from the prestigious Kala Bhavana- Visva-Bharati University in Shantiniketan. Over the years he has drifted towards abstraction and used a technique to enhance the bright and solid colours on the canvas.

There are 25 paintings in this exhibition and the artist will be donating 50% of the sale proceeds to support artists who have been affected by the pandemic and require financial assistance.

The exhibition continues till 29th Aug at MKF Museum, Lavelle Road, Bangalore.

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31 Jul 2021

Art Bytes - Sparking Conversations Around Art

An ALL Bangalore Fine Arts Chapter initiative

By Jyoti C Singh Deo

The art scene in a Covid ridden world is bound to be on the back burner, or so it seems, but the art scene in a little pocket of Bangalore has been bubbling with activity. All Ladies League, better known as ALL was founded by Dr Harbeen Arora with the sole aim to connect women from various fields of life and to empower them. The onus lay upon pathfinders like Suchitra Kaul Misra, ALL Karnataka Chairperson and Nalini Malaviya, art consultant, curator and writer, who set up the Bangalore Fine Arts Chapter, three years ago. Nalini, with the support of the members of the group, has been instrumental in implementing several initiatives that connect artists and art connoisseurs.

Art Bytes - Sparking Conversations Around Art An ALL Bangalore Fine Arts Chapter initiative

ALL Bangalore Fine Arts Chapter Launch in September, 2018

In recent times, artists have been confined to their homes and this has been an ideal time for them to bring alive their canvases. ALL has been a perfect platform to showcase artworks by women artists. The fine arts Bangalore chapter has begun a series of Art Talks called ‘Art Bytes’ that showcases member artists from the city. The series delves into the works of artists and gives the audience an opportunity to interact with them.

The series of interaction began with Anjana Chandak, an artist, poet and performer, who is well known for her monologues, especially on Draupadi and Ahalya. Her artworks convey a rich spiritual side of her. Jyoti C Singh Deo, an artist, poet, writer and activist digs into her childhood days spent in the industrial town of Jamshedpur and coalfields of Jharkhand to create beautiful artworks. Her art depicts the apathy meted out to the labourers who work at the coalfields. G S Bhavani, an artist who is passionate about nature spoke about her works related to the conservation of River Cauvery. Her rock installations on the river bed and floral installations in natural environs are testimony of a heart that glows for the green world.

Next in line on Aug 2, are chapter vice-chair, Jyoti Gupta, a multidisciplinary artist working with mediums like acrylic, resin, inks and clay. These contribute to her sublime work with a unique style of art. Her work has been featured in several national and international events. And, Sharmila Aravind, who has actively engaged with art in its myriad forms - visual arts, directing documentaries, writing poetry, children's rhymes and singing. It has been an ongoing journey of self exploration and expression through multiple mediums.

Art Bytes is a journey that would be featuring more artists in the coming months.

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27 Mar 2021

#arttrackwithnalini: Contextualizing Digital Art, Algorithms and NFTs

#arttrackwithnalini - 01 on 31st March 2021, 6 pm

Contextualizing Digital Art, Algorithms and NFTs

Speakers: Baiju Parthan, Harshit Agrawal and Shovin Bhattacharjee

Moderator: Nalini S Malaviya

Join us here WICCI Arts Leadership Council | Facebook on 31st March, 6 pm IST

#arttrackwithnalini - 01, Contextualizing Digital Art, Algorithms and NFTs

In the current context, it is important to have a conversation on the relevance and scope of digital art, algorithms and NFTs in the Indian and global scenario. This panel attempts to locate digital art production, the import, originality and criticality of the image with regards to current trends, technological interventions, digital ownership and environmental implications of blockchain technology, if any.

Join me as I kick start #arttrackwithnalini, a series of conversations, online for now and hopefully in person soon, with experts in the field.

Recently a digital piece, by Beeple sold as an NFT for 69 million dollars at Christie’s. This has created quite a buzz, understandably. It is after all the 3rd highest priced work by a living artist.

But what does it mean for the art world, especially in the Indian context.

So, let's talk about the relevance and scope of digital art, algorithms and NFTs with Baiju Parthan, Harshit Agrawal and Shovin Bhattacharjee, All 3 are extremely well known, inter-media artists who have been in the digital space and technology art for years, and who understand blockchain, cryptoart, artificial Intelligence and NFTs.

Some of the points we hope to cover are with regards to digital art production, what does originality and criticality of the image imply today, the role of technology then in the art making and distribution, what does digital ownership mean and are there any environmental implications of blockchain technology.

Let’s just start this conversation and see how much ground we can cover in this first session.

Join us here WICCI Arts Leadership Council | Facebook on 31st March, 6 pm IST

Meet our panel

Speakers

Baiju Parthan on #arttrackwithnalini - 01, Contextualizing Digital Art, Algorithms and NFTs

Baiju Parthan is a Mumbai based inter-media artist, working simultaneously with traditional media of painting as well as new media and digital technology based installation art. He is one of the early exponents of new media art and mediatic-realism in the Indian contemporary art scene. His work explores worldviews and ideologies that are in collision and the resulting ontological fallout felt and lived by all of us.

His work in the digital realm consists mainly of explorations into the mutating boundary where the virtual and real bleed into each other. Through a range of computer generated virtual objects presented as video installations, large scale prints on metallic surfaces, and 3D lenticular prints, Parthan manages to present a critique on high technology and its impact on our life and experience of reality.

He has participated in several landmark exhibitions including, New Interventions in Indian Art, China Art Museum Shanghai & Gaungdong Museum of Art, Guangzhou, China 2015, INDIA!, Centro Cultural Banco do Brasil (CCBB), Rio de Janeiro 2012, Indian Contemporary, Benedictine Museum, Fecamp, France, 2009, Beyond Globalization, Beijing, 2009, 101 Contemporary, Tokyo, 2008, International Live Art Festival Glasgow 2004, Kapital and Karma, Kunsthalle Wien, Austria 2002, and has shown at several important art fairs.

Harshit Agrawal on #arttrackwithnalini - 01, Contextualizing Digital Art, Algorithms and NFTs

Harshit Agrawal is an artist working with artificial intelligence and emerging technologies. He is India’s first artificial intelligence artist, being the only Indian artist among 7 international AI art pioneers in the world’s first A.I art show in a contemporary gallery (Gradient Descent at Nature Morte). In his practice, he uses machines and algorithms and often creates them as an essential part of his art process, embracing becoming the cyborg artist. Harshit’s work is part of the permanent exhibition at the largest computer science museum in the world, HNF museum in Germany. He has exhibited work at other premier museums, galleries and art festivals around the world, like the Ars Electronica Festival (Austria), Asia Culture Center (Gwangju Korea), CADAF Contemporary and Digital Art Fair, HIRESOLUTION Exhibition for New Year’s Ball Drop at Times Square (USA), Museum of Tomorrow (Brazil), among others. He has given several talks at the subject of A.I and Art, including 3 TEDx talks. His work has also been extensively covered in international media, including BBC, New York Times, Artnet, Artsy, STIR World. Harshit has carried out residencies at the Museum of Tomorrow (Brazil), Art Center Nabi (Korea) and X-Lab (Japan). He graduated from the MIT Media Lab and IIT Guwahati. Along with his art practice, he has authored several publications and patents about his work at the intersection of human computer interaction and creative expression. He currently lives and works out of Bangalore, India.

Shovin Bhattacharjee on #arttrackwithnalini - 01, Contextualizing Digital Art, Algorithms and NFTs

Shovin Bhattacharjee is an artist working with painting, sculpture, digital art, new media art and public art installation. A pioneering digital artist, he is India’s first artist entering into an NFT art auction.

Born and brought up in Shillong (Meghalaya), he received his BFA and MFA degree in fine arts from Assam University, Silchar, and a diploma in conservation techniques from NRLC, Lucknow in 2002. Shovin has held seven solo shows with the Indian Cultural Centre Seoul, South Korea, in collaboration with Indian Art Museum at Seoul, South Korea.

He has also participated in National and International Exhibitions like “Spirit of India” Embassy of India, Lisbon in association with Art Catto Gallery at Conrad Hotel, Algrave, Portugal; 1st Digital Art Biennial, Brazil; Guanlan International print Biennial, China, India-Korea Art Exchange exhibition at Korean Cultural Center, New Delhi; “HANJI FESTIVAL” exhibition at Korean Cultural Center, New Delhi. 13th Asian Art Biennale organized by The Bangladesh Shilpa kala Academy, Dhaka, Bangladesh; 6th 7th and 8th International print Biennale organized by Bharat Bhavan, Bhopal; “Icon of Asia” International show at EM Art Gallery, Beijing, China; International print Biennale, Finland; Harmony Art shows organized by Harmony Art Foundation, Mumbai; All India Digital Art Exhibition, A.I.F.A.C.S., New Delhi; etc.

Shovin’s work is part of the permanent collection at the Indian Art Museum, Seoul, South Korea, CICA museum, South Korea; Lalit kala Akademi, New Delhi; National Gallery of Modern Art, New Delhi; Manipur Museum, Meghalaya State museum. Indian Cultural Centre, Seoul, South Korea; Art Catto, Portugal; He currently lives and works in New Delhi, India.

Moderator

Nalini S Malaviya is a Bangalore based art consultant, curator and writer. She curates contemporary art exhibitions, working with visual artists from across the country and offers curatorial and advisory services to individuals and corporate. She has been writing for the media since 2003, and has been an art columnist for Bangalore Mirror and has contributed to Financial Times (Delhi and Bangalore) and Times of India, Deccan Herald, several art magazines and artist books. She has written and presented papers for the Karnataka Lalithkala Academy Journal and several of her prefatory essays have been published as part of artist catalogues.

Some of her curatorial projects include ‘Convergence,’ an online exhibition as part of an art and media collective, ‘Bend’ an exhibition of sculptures, ‘Parallax of Visual Memories’, ‘Reimagining: (Un)Reality and Space’, 'Irreverent Gene' and ‘Polynomials of Relevance’.

Nalini is the Founder/Publisher of 'Art Scene India' www.artsceneindia.com, a popular blog cum Ezine featuring art news, events and articles on art, and is a resource center for artists and connoisseurs. Currently, she has a fortnightly art column for Sunday Herald, and is Member, Advisory Committee, National Gallery of Modern Art, Bangalore. She is also the Karnataka President for Arts Leadership Council, Women’s Indian Chamber of Commerce and Industry.

18 Feb 2020

Art and Sustainability

The month long public art initiative at VR Bengaluru, Whitefield celebrates sustainability with innovative art installations and activities

The ongoing Whitefield art collective WAC2020, now in its 5th edition, was inaugurated on 7th February, at VR Bengaluru, Whitefield, better known as the Black Box. The evening saw the unveiling of the art car, painted by the art collective, Aravani Arts Project, by artist and President, Kochi Biennale Foundation Bose Krishnamachari and festival curator Sumi Gupta.

Art car painted by the art collective, Aravani Arts Project

Since this year’s theme for the festival has been sustainability, the art, and all the activities are built around it. Sumi Gupta explained, “The Whitefield Art Collective since its inception in 2015, is committed towards the environment and sustainable processes. We are also focused on ensuring inclusivity for our events and nurture new talent; we always make sure we support and highlight student artists’ efforts, ensuring we give them credit on display panels positioned next to each artwork."

The inauguration of the festival was followed by a walkthrough of the art around the mall, and a fireside conversation between Bose Krishnamachari and Sumi Gupta, which brought up several relevant and interesting aspects related to public art, the Kochi biennale and the associated challenges. Bose reiterated how important it was to create spaces for conversation around art, and how informal spaces too contribute towards incubation of ideas and innovation. Incidentally, Bose’s solo exhibition The Mirror Sees Best in the Dark is going on in Kolkata till March 10.

Indian Peacock by Nithin Sadhu and Rahul KP

During the art tour one saw, ‘Preserve the Pride’ an installation made of corrugated fibreboard by Bandana Jain, which derives inspiration from the doorway of a Buddhist shrine at Ajanta Cave. It is fashioned out of 10,000 cut-outs of recycled corrugated fibreboard and alludes to the challenges in imagining our countries, cities and landscapes without the familiar remnants of our past. According to the artist, “I don’t want to protect the environment. I want to create a world where the environment doesn’t need protection.”

Humpbacked Mahseer by Nithin Sadhu and Rahul KP

Rahul KP and Nithin Sadhu of the Bangalore Creative Circus have created Namma ‘Tiger of the Cauvery’ out of metal scrap. The Humpback Mahseer often referred to as the “Tiger of the Cauvery river” is on the brink of extinction and the large installation lets you enter through the mouth and know more about the fish’s ecology and habitat through the process. Highlighting the issue of sustainability and the effects of climate change, the artist duo wonder, “does our development plan for the future accommodate such unique and rare species”? This installation has been created with scrap collected from trash collection drives along the Cauvery river and across Bangalore, and the project was commissioned by The Wildlife Association of South India (WASI) to draw attention to its conservation effort.

The Digital Wave By Romicon Revola, AR embedded Digital Print

'The Digital Wave’ by Romi Revola

The augmented reality installation ‘The Digital Wave’ by Romi Revola speaks of the times we live in. Even with technological advancements in the 21st century, women are still fighting for equality at various levels. The digital layer that makes the work of art come alive represents the rising fourth-wave feminism (with the use of internet tools). The art installations and activities have been curated by Artflute.

The inaugural evening also saw a spectacular fashion show by students from JD Institute of Fashion Technology, which showcased ‘Wearable Art’ designed around the theme of sustainability, with garments created out of biopolymers, recycled materials, seeds embedded in the fabric and so on.

Head over to VR Bengaluru, Whitefield and check out the art on display, in addition there are several activities to engage all age groups. The festival continues till March 7th.

Schedule of activities

Re-Imagine Bengaluru: 22nd – 23rd February

UnGallery-Spaces Beyond:22nd February

Art Cinema: 23rd February

Art Bazaar: 29th February to 1st March

Basement Art Project: 1st to 5th March

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7 Feb 2020

Art News: Fifth Annual Whitefield Art Collective 2020

The festival will run from 7th February 2020 to 7th March 2020 at VR Bengaluru, Whitefield Main Road.

This year's theme is Sustainability

Launches today: Whitefield Art Collective (WAC), the award-winning public art initiative, announced the inauguration of its month long fifth edition. WAC2020 will encourage creative explorations around the theme of “sustainability”, through partnerships with leading institutions and notable individuals from the artistic community.

This year, the collaborators include Shristi Institute of Art, Design & Technology, JD Institute of Fashion Technology, Bangalore Creative Circus, Indian Garbage Collective, The Broke Artist Collective, Aravani Arts Project, and Synaesthesia Collective & Art Flute.

Ajanta Caves: Preserve the Pride by Artist Bandhana Jain

WAC 2020 is supported by YujKutumb, The Yog Foundation. As for previous editions, VR Bengaluru as part of its Connecting Communities© initiative that aims to encourage civic pride, strengthen the local economy and enhance the city’s national and international image, will be the primary venue partner. WAC 2020 is also supported by The Waverly Hotel & Residences, Gravity Events, Burger King and Grover Wines.

Bose Krishnamachari, President, Kochi Biennale Foundation will inaugurate the festival by unveiling the annual VR Art Car, painted this year by the Bengaluru based women and trans-women art collective-Aravani Art Project. The unveiling will be followed by a fireside chat between Bose and WAC Curator Sumi Gupta, at the Living Room of The Waverly. The inaugural event will culminate with “Wearable Art” - a show by JD Institute of Fashion Technology at Skydeck.

Work by Student of JD Institute of Fashion Technology

Speaking on the occasion, Sumi Gupta, Curator of the festival said, “I am thrilled to steer this fantastic public initiative in its fifth year. This edition of WAC has incredible collaborations with institutions and student artists from across Bengaluru, creating a vibrant platform for large-scale installations & sculptures. Over the next month, WAC 2020 will bring together a community of connoisseurs, art students, patrons, and the citizens of Bengaluru in a celebration of the city’s art and culture.”

The month thereafter will see the show widen its scope and scale. Lined up are an Art Dessert Festival, Art Cinema Screening, Art Bazaar, a Children’s Art Competition with more than 500 kids from the city’s premier International Schools geared up to participate.

Reincarnation by Artist Sangeeta Abhay

‘Women in Art,’ a panel discussion moderated by Sreemoyee Piu Kundu will take the stage on Day Two of WAC 2020. With panelists Sumi Gupta, Curator; Shonali Bose, Director, Writer, Producer and Seema Kohli - Contemporary Artist; the discussion promises to be engaging. For the record, this will be the first episode of Season 2, part of the ongoing Salon with Shree series held in association with the Whitefield Literary Society to be held on February 8th.

Humpbacked Mahseer by Nithin Sadhu and Rahul KP

WAC 2020 is all about celebrating art. VR Bengaluru will morph into a hub of artistic innovation, blending aesthetics with creativity. WAC 2020 promotes regional art and artists by featuring a unique mix of programming and commissioned works, in partnership with regional institutions; all interwoven within the theme of sustainability.

Schedule of events:

Fine Art I Sculptures I Installations: 7^th February to 7^th March

Salon with Shree- Women in Art:            8^th February

Art Dessert bazaar with LBB: 8^th-9^th February

Children’s Art Competition:    14^th -15^th February

The Art Yard:    14^th -15^th February

Re-Imagine Bengaluru:    22^nd – 23^rd February

UnGallery-Spaces Beyond:    22^nd February

Art Cinema: 23^rd February

Art Bazaar:    29^th February to 1^st March

Basement Art Project:    1^st to 5^th March

Please share this article using the social media widgets at the bottom and do subscribe to receive regular updates from Art Scene India.

For interviews, profiles, sponsored posts and to contribute articles, contact artsceneinfo@gmail.com

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8 Dec 2021

Spurts of Enigma: Nikhil Purohit writes on the art practice of Mohan Shingne

Also read,

19 Oct 2021

Nostalgia in Wood

Also read,

12 Aug 2021

The Fragrance of Rain Inspires Artist Ganesh Doddamani

31 Jul 2021

An ALL Bangalore Fine Arts Chapter initiative

27 Mar 2021

#arttrackwithnalini - 01 on 31st March 2021, 6 pm

Also read,

18 Feb 2020

7 Feb 2020

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