Art Scene India: Art Bangalore

Showing posts with label Art Bangalore. Show all posts

6 Oct 2022

Technology In Museums

Technology can effectively bridge the gap between museums and younger audiences to create seamless experiences that imitate ordinary interactions by adapting and enhancing the same tools that the younger generation uses on a regular basis

In the past two years, it has become increasingly evident that technology plays a very important role in the museum experience. It allows enthusiasts and admirers to stay connected with the world of history and art, whether physically or virtually.

Technology can help bridge the gap between museums and the younger generation since their lives are constantly influenced by the digital world. Museums can create seamless experiences that imitate ordinary interactions by adapting and enhancing the same tools that the younger generation uses on a regular basis. Along the same lines, technology allows museums to boost audience participation by using gadgets that are already in use.

Holographic table at MAP

Technology also helps museums bring to life their ideas and the creative ways in which they wish to engage the audience. For example, the Museum of Art & Photography (MAP), one of the first private art and photography museums in Bengaluru, collaborated with BrandMusiq to give the brand a distinct sonic identity through its MOGO or ‘musical logo’. MAP’s sonic identity is inspired by the aim to bridge the gap between the past and the present, the classical and the modern, and the conventional and the contemporary.

These tools make art and history more accessible while making the museum more accessible to people with disabilities such as hearing loss, vision impairment, Alzheimer's disease, and Autism Spectrum Disorder.

MAP’s involvement in the confluence of art and technology makes for a refreshing change. MAP and Accenture Labs collaborated to create India’s first conversational digital persona in M.F. Husain. The viewers can interact with the artists with questions on his early life, career and family. The usage of speech synthesis software and extensive research on the artist makes for an engaging interaction.

Husain’s holographic avatar, as part of MAP’s collaboration with Accenture India

The virality of different kinds of technology and their reception by the masses help museums understand the kind of devices to use and how they can be made increasingly accessible to the audience. Haptic interfaces, iPads, touch screens, and live screenings are a few such tools that engage the audience and help museums reach out to them virtually without losing their interest.

Kalamkari Prayer Mat, 1850s, Cotton, natural dyes,
Machilipatnam, Andhra Pradesh, India, TXT.0021

In another instance of a technology-focused initiative, MAP Academy, the educational vertical of MAP Bengaluru, collaborated with Microsoft to develop the platform INTERWOVEN as a part of Microsoft’s AI for Cultural Heritage initiative. This project is rooted in developing the digital recreation of the histories of South Asia through textiles, making it more accessible and inclusive for a global audience. Viewers sitting anywhere in the world can find connections between artworks and textiles, cultures and histories through this platform. And that really is the magic of integrating the use of technology in the arts and museums. It allows for a wider and more inclusive reach, as well as a greater participation by young audiences; it allows the museum to become an institution of the future.

Technology can be a great tool for expanding audiences and driving engagement, however it must be used strategically. It’s more about determining what service(s) they are providing, who it will serve, and how the audience will benefit from the experience rather than adopting technology for the sake of incorporating technology.

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12 Aug 2021

Colours of the Land

The Fragrance of Rain Inspires Artist Ganesh Doddamani

Inspired by petrichor, artist Ganesh Doddamani presents his recent works, a series of paintings which capture the fragrance and essence of places, at MKF Museum, Bangalore.

Painting by Ganesh Doddamani, Art Scene India

He explains, “Over the past few years or so, my work has naturally and gradually drifted towards abstraction and a distinctive method of compressing the rich color and form of my environment into complex landscape paintings that imbue material reality with a deep sense of place. I combine color making techniques with the vernacular, in a bid to arrive at an idiom that is entirely contemporary.”

Fields of colours reflect patterns and textures of the land. In this exhibition Doddamani waxes eloquent about the smell of rain, the first shower which soaks the earth and has a beautiful and distinctive fragrance. The heady smell that engulfs us when the parched land soaks up the first few drops of rain. The mist encases the landscape forming a veil that is poetic and romanticizes the atmosphere.

"I have been living and working in Bangalore from past 11 years, but my impulse to paint grew naturally out of my childhood. In my landscape concept, the very materials the painting is made of, connects it back to the land, since paint is essentially made from earth, from minerals," he elaborates.

Despite the abstract mode of representation, Doddamani ensures a deep sense of connect to his native land and landscape. The colours and textures are evocative and closely connected to a material reality that is very familiar to the artist.

The Karnataka born artist Ganesh Doddamani showed interest in drawing at an early age, focusing mainly on the figurative form and also on the heritage of India. He later attended art classes while experimenting with colours during that period of time.

Doddamani has completed his BFA with honours from the MMK College of Art, Gulbarga and an MFA from the prestigious Kala Bhavana- Visva-Bharati University in Shantiniketan. Over the years he has drifted towards abstraction and used a technique to enhance the bright and solid colours on the canvas.

There are 25 paintings in this exhibition and the artist will be donating 50% of the sale proceeds to support artists who have been affected by the pandemic and require financial assistance.

The exhibition continues till 29th Aug at MKF Museum, Lavelle Road, Bangalore.

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6 Feb 2020

Art News: Unframed by Priyanka Sinha

Deconstructing Frameworks In Search Of The Sublime

In her new series of paintings, Priyanka Sinha explores the unknown and the arbitrary, and the elusive and the sublime. Attempting to deconstruct and remove frameworks, her abstract paintings delve deep into the mind in search of that ephemeral time and space, which cannot be categorised but depicts purity of mind and soul.

“Among the practising artists today, Priyanka Sinha stands out for her conviction, consistency and
maturity. Being an abstract painter, the struggle for survival is becoming increasingly difficult in
India. Today, a large number of abstract artists are trying to make success by attaching different kinds of philosophical (sometimes, even spiritual) sounding explanation with their work of art as a means to hide their deficiencies in artistic skills. In such an intensely market-driven world of art, the mediocrity is often hailed for the reasons we all are aware of,” writes artist and critic Ashok Bhowmick in the catalogue.

Being a well-trained artist, Priyanka is an immensely active art practitioner. It is not an urge for experimentation alone that drives her to accept newer challenges, but it is with her courage to create, she often forays into the unexplored zones of her own self to bring out something that makes her existence, meaningful.

Priyanka's recent works show that rare grit for which she is known for. After a considerable gap in time, she is showing her works and although she prefers to contain her expressions in monochrome only, the bundles of carefully etched parallel white lines bring in a refreshing light. Priyanka scratches the thick layers of colour to expose subtle parallel 'spaces' of her canvases, thus creating self-illuminating lines.

Her palette is full of the colours of the nature. In some paintings, she takes the colours from the sea while in some she borrows it from the seasons. With such colours, she composes her abstracts, but for the viewers, they appear as simple landscapes, seascapes and at times, even cityscapes. In her paintings, nothing happens accidentally, as every bit of it is not only planned but deeply meditated.

The artist explains, “In my series named "Unframed" I have tried to present my sentiments in their sublime and pure form. The soul which has all power, and is the eternal core of our being and part of the creator. We look for materialistic happiness and want to be in our comfort zones. We want our life, relations, events, situations to manifest the way we desire. We want everything to happen in a particular manner, in well defined boundaries and frames.”

Unframed, an exhibition of Installations & Paintings by Priyanka Sinha will be on from 8-12th Feb at Fidelitus Gallery, Brigade Software Park, Banashankari 2nd Stage, Bangalore 560070
Mob: 080 680737001 E-mail: info@fidelitusgallery.com

All images are courtesy the artist

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4 Feb 2020

Interplay of Visual Contrasts

Juxtaposed by Vaman Pai and Gomathi Suresh at Gallery Manora

Painting by Vaman Pai

The ongoing exhibition of paintings by Vaman Pai and ceramics by Gomathi Suresh at Gallery Manora, explore abstract imagery through two diverse visual mediums. The show is curated by Giridhar Khasnis, who writes, “Involved in different mediums, they create works that are not fixed on any particular notion or theme but imagery that is free and open to interpretation. Silent yet evocative, their abstract constructs and formations are coloured with introspective tones and designs.”

Vaman is a Bangalore-based painter and sculptor, who is essentially self-taught. G S Shenoy, the late senior artist known for his abstracted landscapes had a large influence on his artistic vocabulary. Vaman has been painting landscapes for several years and in this series, his works display a natural fluidity and eloquence. There is an evident spontaneity in the rendering and an inclination to capture subtle atmospheric nuances. Inspired by nature, and the colour and vastness of the sky, he has employed a predominantly blue and white palette, experimenting adroitly with gentle patterns and textures.

Ceramic by Gomathi Suresh

Gomathi Suresh is a Sydney-based ceramist and art promoter, who has exhibited her works in several group shows and at the Ceramic Art School, Tafe Sydney where she completed her 2-year diploma in ceramic art. She is currently pursuing a 2-year advanced diploma in ceramic art.

In this series, which has been produced in response to Vaman’s paintings, her concern for environment, climate change and ecological sustainability form the underlying subtext. She explains, “My body of work for this exhibition is an immediate and gestural response to the painterly abstraction of Vaman Pai's works whilst maintaining the unique nature of my own making, use of surface treatment and three dimensionalities.” Her works often reference land forms and memories of landscapes from her travels around the world.

Gallery view of Juxtaposed by Vaman Pai and Gomathi Suresh at Gallery Manora

Adopting multiple techniques, ranging from the traditional to the more experimental, Gomathi has played with glazes and firing processes to achieve textures, patterns and compelling visual effects that emphasize colours and surface expanses. She says, “l have ﬁred my works several times to achieve painterly, layered atmospheric depths, closely akin to watercolor effects on textured paper; deliberately exposing the marks of my making, just as a painter would with his brush strokes, creating abstract surfaces evoking perhaps the warmth of a sunrise, the mystery of a dark starry night, the glow of sunsets and or an icy bare landscape.”

The commonalities and contrasts explored in the exhibition form an interesting interplay of visual coherence through pluralities of materials and mediums, and artistic viewpoints.

The exhibition continues till Feb 20, 2020 at Gallery Manora

Gallery Manora

55,100 Ft Road Off,9th A Main, Indiranagar-1st Stage, Bengaluru 560038, INDIA.
www.gallerymanora.com

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All images are courtesy the gallery

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21 Jan 2020

Art News: Juxtaposed by Vaman Pai and Gomathi Suresh

G A L L E R Y M A N O R A

J u x t a p o s e d

V A M A N P A I / G O M A T H I S U R E S H

C U R A T E D B Y G I R I D H A R K H A S N I S

January 23 to February 20, 2020

GALLERY MANORA presents Juxtaposed, a two-person exhibition featuring a series of new paintings by Vaman Pai and recent ceramics by Gomathi Suresh. The show opens on Jan 23 (Thursday) and runs through Feb 20.

Juxtaposed by Gomathi Suresh at Gallery Manora, Art Scene India

For both Vaman and Gomathi, creation of art is intrinsically linked with intuition, imagination as well as life experiences. Involved in different mediums, they create works that are not fixed on any particular notion or theme but imagery that is free and open to interpretation. Silent yet evocative, their abstract constructs and formations are coloured with introspective tones and designs. Their common interest in grasping contrasting and complementary views of nature and human feelings manifest in their work. At a particular level, their works seem like mindscapes searching for an unknown idiom and ineffable beauty.

Vaman’s dynamic work with free flowing forms and multi-coloured smatterings exposes his creative energy, fertile imagination and fearless approach to art making. Connecting the tangible with the abstract, his paintings seem to find life both in the fluctuating moods of vibrant spaces as well as the mysterious layers of darkness.

Gomathi’s ceramics with meandering shapes and gentle curves reveal a slow and studied process along with a personal and poetic handling of the delicate material. For this body of work, she has used organic hand-built and thrown forms in heavily grogged stoneware clay. One can see how by treating the surface of layered underglazes using multiple firing techniques, she has brought in both depth and texture to her intriguing works.

What appears central to both the artists is the natural response to the chosen mediums. There is also a craving to be part of the ‘give-and-take’ interplay of forms, ideas and actions. Most of all, it is interesting to see how the artists have inspired each other even while keeping their practices independent and non-intrusive on each other.

Juxtaposed opens on Jan 23 and runs through Feb 20, 2020 at Gallery Manora

Gallery Manora

55,100 Ft Road Off,9th A Main, Indiranagar-1st Stage, Bengaluru 560038, INDIA.
www.gallerymanora.com

*Excerpt from the press release
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All images are courtesy the gallery

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28 Nov 2019

Waves of Imagination by Humera Ali

Bangalore based artist Humera Ali presents her recent body of works in her second solo show at MKF Museum of Art. Employing abstraction as a tool to convey her concerns for nature and its conservation, Humera depicts landscapes as large expanses of textured colour fields. She says, “Unleashing years of latent creativity, the show is oriented from my love for nature that transforms my rendition in a natural leaning towards abstraction.”

Verge of Dawn

She attempts to capture the gentle gradients of the terrain, the glimmer of sunlight on land and water and the various movements observed in nature. “My brush strokes using acrylic medium are seen as ‘bold’ and pigments used as ‘strong’ while being inspired by pointillism and knife art as a medium and technique. Observing the veins of a leaf, the textures created in water on a pebble are details seen in my creations.”

Marine Collision

The lyrical movements, patterns and textures inherent in nature are translated on the canvas. “My series on water is to recreate the beauty of the sea in tranquillity or rippling waves on the sand as I observe and create forms through a rhythmic pattern. Every canvas translates into a meditative experience with the intention to take the viewer in a narrative that transcends into another realm of their imagination.” The tender approach to painting reflects in the serenity of the works and the light and shadow effects displayed through tonal variations.

Confluent

The series of works aims to also emphasize on the need for immediate action in cognizance of rapid urbanization, climate change and global warming. “I use the canvas to express my intense feelings with a strong message to conserve nature as global warming has given rise to water levels with repercussions of land that is fast receding.”

She emphasizes, “this show is a plea to all who respect the vagaries and strength in nature to continue the movement of protecting our planet.”

Humera is a self taught artist driven by passion, she was later mentored by the Bangalore based senior artist JMS Mani. Her works are part of collections in South Carolina, Sydney and Canada. She also does community service by giving art therapy to children with chronic illnesses providing them with a healing touch.

Meet the artist on 30th November 2019, 4 pm onwards

Waves of Imagination by Humera Ali, from 30th Nov - Dec 18, 2019 at MKF Museum of Art, 55/1 Isha Villa, Lavelle Road, Bengaluru 560001

Timing 11-7 pm.( (Monday closed.) Contact +91 7373 887 557

All images courtesy the artist

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